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(As a rhythm section they shared a surname but were not actually brothers. After successfully scuffling through his debut with what was essentially a pick up band* Costello set about forming the Attractions, a startlingly forceful gathering of precision musical assassins comprised of Steve Nieve on keys and piano, and Bruce and Pete Thomas on bass and drums, respectively. The Lowe-produced five album run that began Costello’s career – from 1977’s My Aim Is True through 1981’s Trust – is a spirited, comedic, raging demonstration of talent and songcraft nearly the equal of any in rock history – perhaps only Dylan from ’64-’68 or the Stones from ’68-’72 ever put together more manic and brilliant music over such a sustained period of excellence. #THE BLACK KEYS TURN BLUE FULL ALBUM TORRENT FULL#This connection brought Elvis into the company of his first producer and crucial collaborator Nick Lowe, a genius songwriter in his own regard, and just the right man to bring Costello’s bilious, brilliant, neo-Dylan tantrums to full boil.Īnd boy did they ever. Feelgood and Brinsley Schwarz, which shunned the excesses of prog-rock in the mid ’70s and sought a retreat to stripped-down basics. Costello’s most crucial early connection to the contemporary British music of the day was the proto-punk “pub rock” movement, championed by bands like Dr. Although he was indisputably young (23 when his debut was released) and angry (almost psychotically) at the beginning of his career, he also evinced from the start a more classicist sensibility and clear influences like the Band and Randy Newman, which set him worlds apart from the Kill Your Idols ethos of the Sex Pistols and their ilk. But while Costello was clearly influenced by (and had influence over) those movements, neither were ultimately enough to define or contain his potent and polygamous talents. #THE BLACK KEYS TURN BLUE FULL ALBUM TORRENT SERIES#Costello’s terrific 1977 debut came at the height of punk rock, and the ensuing series of masterworks that mark the astonishing early portion of his recording career overlap with the punk outgrowth commonly referred to as New Wave. Our first ranking of Elvis Costello’s albums from worst to best originally ran on August 9, 2013.ĭeclan “Elvis Costello” MacManus was by far the most successful of the “angry young man” songwriters to emerge from England in the late 1970s, no small achievement in light of competition that included first-rate talents like Wreckless Eric, Graham Parker, Joe Jackson, John Lydon, and the Strummer/Jones pairing of the Clash. ![]() We’re refreshing and revising our old Counting Down lists to make room for new albums and insights that have come along since their initial publication. ![]()
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